Visualizzazione post con etichetta arte precolombiana. Mostra tutti i post
Visualizzazione post con etichetta arte precolombiana. Mostra tutti i post

sabato 20 aprile 2013

THE CHIMÚ AND THE KINGDOM OF CHIMOR

In the aftermath of the collapse of the the Moche civilisation in the late 700s A.D. a new civilisation was born. In the late 800s until the early 1000s the Chimú culture began to establish itself, reaching it’s peak in the 1200s and lasting until the 1490s when they were conquered by the Incas.

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The Chimú set up an empire that stretched from Peru’s border with Ecuador to the region of Lima. In the centre of this 1000km stretch of coast the Chimú built their capital city Chan Chan, which is a corruption of the Mochic words Sian-Sian or Sun Sun. At roughly 18km2 it is the biggest adobe city in the world, and was at the time one of the largest cities in the world.

clip_image002 Chimú-Lambayeque pot

Like the Moche, the Chimú too built stepped pyramids. These hosted temples on their truncated peaks with a large ramp leading up. These constructions were somewhat more simple than those of the Moche and did not contain anything inside – they were solid formations of hundreds of thousands of mud bricks.

ichanch001p4A death mask from the Chimú culture is made of a gold and silver alloy, with copper eyes and ears

Another thing that differentiates the Chimú from their Moche ancestors is their affinity with the sea. This may be due to one of the myths of the origin of their civilisation or simply due to the fact that they relied heavily on a sea food diet, fishing using their caballitos de totora. Whatever their reason, their constructions and monochrome pottery are covered with decorations showing fish, waves, sea birds and fishing nets. Most of their capital city, Chan Chan is less than a few hundred metres from the ocean and can be heard throughout the city.

clip_image004 Walls of the City of Chan Chan

After the Chincha culture, the Chimú were the next and final strong nation state the Incas had to conquer to form their massive empire. Also an agricultural-based civilisation, this was the major Chimú weakness when the Incas attacked. On entering the Chimor empire and approaching the city of Chan Chan, the Incas made sure to destroy all the irrigation systems that gave life to the sun-baked arid area. The Inca attack began in 1470 and lasted until 1493 with the defeat of the Chimú, who made sure to heavily destroy their capital city and loot its gold before the Incas did. Fonte
The Kingdom of Chimor emerged from the desert sands of coastal Peru between AD 900 and AD 1430. The kingdom is characterised by the hierarchical power structures of royal palaces and capital cities not found in many of the other complex societies in South America.
Power and control in the region was managed from the capital city of Chan Chan including some of the huge civil engineering projects undertaken to irrigate and transform this desert into an empire spanning 600 miles down the coastline of modern day Peru.

Chimu stirrup spout vessel, Chimu, AD 900-1430

Figures and faces
Black Chimu ceramics are some of the most distinctive elements of their material culture. The frequent portrayal of figures and faces bring to life the people who made and used the pots.

clip_image006Copper Knife, Cusco, unknown date

Mass production
This distinctive style of knife design is found at many sites in South America and it was used in both practical and ritual settings. Large numbers of metal artefacts like this are found at Chimu sites like Chan Chan, the capital of the Chimu empire. These artefact collections demonstrate how this empire transformed the scale of production during this late pre-Columbian period in South America.

Llama vessel, Chimu, AD 900-1430

Trade and tribute
The Chimu empire was built upon a network of trade and tribute that funnelled its way back to the capital of Chan Chan from all of the surrounding provinces. The depiction of the llama in the pottery of these coastal peoples hints at how far these territories spread, up the coastal river valleys and into the Andean mountains.

clip_image008Silver vessel, Chimu, AD 900-1430

Displaying wealth
Excavations of Royal Tombs in coastal Peru have recovered exquisite gold and silver artefacts. Objects like this silver Chimu vessel demonstrate how wealth was centralized to a powerful elite that controlled and ruled the empire with a rigid hierarchy.

clip_image009Spondylus shell, Moche, AD 100-800

A prized possession
The spondylus shell was one of the most highly valued materials in Chimu society. These marine shells normally only live in the warmer waters further north up near the present day coast of Ecuador. There are many theories, often relating to climate change, that are used to explain why they became so prized within Chimu society.
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giovedì 13 ottobre 2011

IL MUSEO DELL’ORO

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A Santafè de Bogotà non si può perdere assolutamente , il piu' bel museo al mondo nel suo genere: piu' di 20.000 reperti di incredibile bellezza, appartenenti alle diverse Culture Precolombiane (Tairona-Sinu-Muisca-Quimbaya-Tolima-Calima-Tumaco-Narino-San Augustin).

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I diorami, le dimostrazioni di fusione con la tecnica della cera persa, la ricchezza delle bacheche, rendono la visita estremamente gradevole. Si passa all' ultima sala, dopo essere rinchiusi per un attimo nella penombra,si resta abbagliati dallo splendore di centinaia di monili d'oro di una raffinatezza indescrivibile


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Link Official Web Site
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martedì 17 maggio 2011

SCOPERTA CITTÀ MAYA IN GUATEMALA GRAZIE AL GPS

clip_image001© Michael G. Callaghan / National Geographic
Uno de los túneles de la pirámide 'Cabeza de Piedra'-

Según recoge la revista National Geographic, se han descubierto un centenar de antiguos edificios que han estado ocultos durante ocho siglos, entre los que destaca una pirámide de más de siete pisos de altura, un observatorio astronómico, un tribunal ritual de pelota y varias residencias de piedra.. Estos edificios han sido descubiertos en medio de una gran vegetación, prácticamente impenetrable, gracias a un mapeo tridimensional realizado mediante GPS y mediciones electrónicas que han permitido obtener un mapa de la pirámide que se encontraba detrás de la vegetación.


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Archaeologist Brigitte Kovacevich in a looters' tunnel inside the pyramid at the Head of Stone site.
Photograph courtesy Michael G. Callaghan

Los arqueólogos han realizado diversas mediciones de las elevaciones de la zona y mediante GPS los datos se fueron convirtiendo en un detallado mapa tridimensional.
Situada a unos 35 kilómetros al sur de Tikal, la pirámide de Holtun o Cabeza de Piedra, tenía un tamaño menor a las más conocidas grandes capitales de esta antigua civilización y en palabras de Kathryn Reese-Taylor, especialista en el período preclásico maya de la Universidad de Calgary (Canadá) "esto no sería nueva York o Los Ángeles sino más bien Atlanta o Denver".
Con un tamaño de 1 kilómetro de longitud, calcula que estaría habitada por unas 2.000 personas y que surgió entre los años 600 a.C. y 900 d.C.
Según los estudios realizados, se cree que algunas de las casas de piedra fueron lugar de enterramientos de los primeros reyes de la ciudad, pues en el periodo Pre-clásico tardío (del 600 al 300 a.C) el rey no se consideraba el centro del universo, lo que significaba que no se le enterraba todavía en las pirámides.
Esta ciudad albergaría eventos en los que reunirían además de a su propia población, a los lugareños de las ciudades mayas cercanas para coronar a un rey o nombrar a un heredero real mientras se practicaban rituales sagrados, danzas escénicas con trajes de plumas y joyas de jade. Es probable que los solsticios y equinoccios fueran eventos multitudinarios en torno al observatorio astronómico.
Zona de interés arqueológico
En la Selva de Petén en Guatemala existen numerosas ciudades mayas de gran importancia, como es el caso del Parque Arqueológico de Tikal, el más visitado de Guatemala, y la cuenca El Mirador. En este último, se descubrió un friso que recrea la escena del Popol Vuh (la Biblia Maya), donde los hermanos gemelos Hunahpu e Ixbalanque descienden a Xibalbá, el inframundo en la cosmovisión maya, cargando Hunahpú la cabeza de su padre en la espalda.
Además de Guatemala, países centroamericanos como Belice, El Salvador y Honduras tienen cuentan con enclaves arqueológicos -ahora convertidos en lugares de interés turístico- donde se refleja cómo vivían los mayas.

clip_image003© National Geographic
El doctor Richard Hansen en El Mirador.

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venerdì 20 novembre 2009

I TESORI SUDAMERICANI DELL'ETÀ DELL'ORO

Un omaggio alla civilta' dell'America Latina e dei Caraibi in occasione del bicentenario dell'indipendenza delle colonie americane dalla Spagna e in concomitanza con la quarta conferenza mondiale Italia-America Latina, che si terra' a Milano: sono le mostre "Inca. Origine e misteri delle civilta' dell'oro" e "Plus ultra. Oltre il Barocco", dal 4 dicembre al 27 giugno al museo di Santa Giulia di Brescia. Due segmenti di un percorso espositivo che parte dagli splendori dell'Impero Inca (dalle sculture precolombiane fiorite in Peru' dal 1500 a.C. fino all'arrivo degli Spagnoli nel 1532) e si allaccia al meno noto periodo post-colombiano.

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Oltre 270 opere provenienti dai maggiori musei peruviani consentiranno di ripercorrere, per la prima volta in Italia, l'intera storia delle civilta' dell'oro.

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Oltre a rappresentare il piu' numeroso complesso di reperti in metalli preziosi mai esposto al mondo, questo appuntamento e portera' nel nostro paese tesori finora mai esposti al di fuori dei confini peruviani. Tra i preziosi manufatti sono presenti oggetti in oro, argento, bronzo, rame, terracotta e sculture in pietra e in legno. Oggetti, vestiti ricoperti d’oro appartenuti ai re dell’antico Perú, poi i paraphernalia (coltelli sacrificali, diademi, strumenti musicali), gli ornamenti (corone, orecchini, narigueras, collane, pettorali, raffigurazioni di uomini e animali e divinità).

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Inoltre la mostra "Plus ultra", che prende il titolo dal motto che compare sullo stemma dei sovrani spagnoli, presenta, novita' assoluta in Italia, 90 tra i maggiori capolavori del Barocco latinoamericano, analizzando i suoi sviluppi attraverso le tematiche dell'iconografia sacra e della pittura decorativa e di 'castas' (incroci razziali), per giungere all'arte neobarocca, esemplificata dall'artista colombiana Olga de Amaral.

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