martedì 30 settembre 2014

CONSTANTINE MANOS | PHOTOGRAPHER

“The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise ”

Biography
Constantine Manos was born in Columbia, South Carolina, U.S.A., of Greek immigrant parents. His photographic career began in the school camera club at the age of thirteen, and within several years he was a working professional. He graduated from the University of South Carolina with a B.A. in English Literature. At the age of nineteen he was hired as the official photographer of the Boston Symphony Orchestra at its summer festival at Tanglewood.

Upon completion of his military service, he moved to New York, where he worked for Esquire, Life, and Look. His book, Portrait of a Symphony, a documentary of the Boston Symphony Orchestra, was published in 1961. From 1961 to 1963 he lived in Greece, where he made the photographs for his book A Greek Portfolio, first published in 1972. The book won awards at Arles and at the Leipzig Book Fair, and exhibitions of the work took place at the Bibllothéque Nationale in Paris and the Art Institute of Chicago. In 1963 Manos joined Magnum Photos.

Returning from Greece, Manos settled in Boston and completed many assignments for Time-Life books, including their book on Athens. In 1974 he was the chief photographer for Where's Boston?, a multimedia production that documented the city and provided the photographs for his book Bostonians.

Manos's photographs are in the permanent collections of the Museum of Modern Art, New York; the Museum of Fine Arts, Boston; the Art Institute of Chicago; the Bibliothéque Nationale, Paris; George Eastman House, Rochester, NY; the Museum of Fine Arts, Houston; and the Benaki Museum, Athens. In 2003 Manos was awarded the Leica Medal of Excellence for his pictures from American Color.

Images from Manos's ongoing work in color first appeared in his book American Color, published in 1995. Th work continued in American Color 2, published in 2010. A new edition of A Greek Portfolio was published in 1999, accompanied by an exhibition at the Benaki Museum in Athens. In 2013 an exhibition commemorating the 50th anniversary of the making of the photographs for the book, including eighty unpublished pictures, was held at the Benaki.

As of 2014, he is currently working on a major retrospective book and exhibition that will include unpublished photographs dating from the start of his career.





























All images  © Constantine Manos
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lunedì 29 settembre 2014

JACQUES SONCK | PHOTOGRAPHER

Jacques Sonck (b. 1949, Belgium) captures 'archetypes' in his portraits.

Sonck studied photography at the Narafi in Brussels, Belgium and is one of the first generation of photographers who received formal training lifts. 
Besides his professional activities (until recently he was a photographer at the Culture Department of the Province of Antwerp), he devoted himself since the mid-1970s on personal projects. He makes penetrating street and studio portraits of prominent figures from all walks of life. In his pictures he goes in search of archetypes. Classical portraits in the style of Diane Arbus. Without judging Jacques Sonck confronts the viewer with charming and disgusting individuals: loners, eccentrics, drop-outs and deformed. Soncks refined black-white images contain a surprising, often anachronistic aesthetics with remarkable documentary character. Diversity in all its shapes within the human species is depicted in an understated way, without melancholy, compassion or the intent to ridicule.

In 2005 his photographs exhibited in the group show ‘13 women and a dog - Photographic Intimicy’ at Bozar in Brussels, Belgium
In 2011 a selection of his work is included in the group show ‘Insight’ at Fotomuseum in Antwerp, Belgium. He also appears in the group show ‘In the Margin’ at the Museum Dr. Guislain in Ghent, Belgium. 

During his career he received the following awards: in 1980, the Laureate of the Prize of Photography of the Province of Antwerp, in 1984, Special mention for the price Photographie Ouverte, Charleroi and 1992 Nomination for the ICI Photography Awards 1992.

His work is included in following collections:
Department of the Flemish Community, Belgium 
Province of East Flanders, Belgium 
FotoMuseum Province of Antwerp, Belgium 
Musée de la Photographie, Charleroi, Belgium 
Association Festival de l’image, Le Mans, Belgium 
National Museum of Photography, Film and Television, Bradford (England) 
Dr.Guislain Museum, Ghent, Belgium 
University KU Leuven, Belgium 
Private collections-


























All images © Jacques Sonck

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sabato 27 settembre 2014

NOTES FOR AN EPILOGUE | TAMAS DEZSO

Tamas Dezso was born in 1978, and is based in Budapest. His work has been exhibited worldwide and has been published in TIME, The New York Times, National Geographic, GEO, Le Monde Magazine, The Sunday Times, PDN, Ojo de Pez, HotShoe Magazine, The British Journal of Photography and many others.
“Edifici simbolici ed ex fabbriche scompaiono. I villaggi si svuotano a una velocità incredibile” – afferma Dezso.“Il mio obiettivo è quello di catturare un mondo inosservato che potrebbe scomparire velocemente a causa della natura transitoria dell’epoca”. Tamas Dezso a distanza di 25 anni dal crollo  dell’Unione Sovieticamostra la decadenza e le persone che ancora inseguono una stabilità.
Isolamento e delusione nei suoi ritratti, ma anche la pazienza ed, in particolare, la speranza
“Anche se la rivoluzione del 1989, ha posto fine della dittatura comunista, ha lasciato un sacco di problemi irrisolti. La lista è lunga – ad esempio fabbriche chiuse e abbandonate, villaggi deserti o spopolati e tanta disoccupazione” – dice il fotografo.
Un approccio non strettamente da documentario, ma l’espressione artistica dei sentimenti.
“Volevo ottenere delle foto autentiche e stimolanti per dimostrare fino in fondo la storia con la speranza che non accada mai più” – ha aggiunto il fotografo.
Fabbriche dell’era comunista smantellate scompaiono e interi villaggi come Geamana sono stati abbandonati. Scomparse le culture della zona, i giovani abbandonano le campagne e vanno verso la modernità.
Catturata da Dezsco l’essenza del fallimento del post-comunismo: la perdita di culture e tradizioni conservate per secoli, che ora scompaiono in un batter d’occhio.Fonte






















All images © Tamas Dezso


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