Roman Vishniac (1897–1990) was born in Leningrad
(present-day Saint Petersburg) and raised in Moscow. As a young man, he was
fascinated by microscopes and photography. This budding interest was realized
in his lifelong work as a groundbreaking photomicroscoper. Yet, his greatest
photographic legacy was as a "concerned photographer," especially his
documentation of Jewish communities of Eastern Europe on the brink of World War
II.
In 1920, Vishniac immigrated to Berlin. There he
married his first wife Luta, with whom he had two children, Wolf and Mara. In
1935, Vishniac was commissioned by the American Joint Distribution Committee
(JDC) in Central Europe to photograph Jewish communities in Eastern Europe as
part of a fund-raising drive to help support these poor communities. After this
initial trip, he returned to Berlin, where with the assistance of his young
daughter, he developed his pictures in a darkroom in his apartment, drying them
on his living room floor. Between 1935 and 1938, at the behest of the JDC, he
traveled east on photo expeditions several more times, taking with him two
cameras, a Rolleiflex and a Leica.
As life became increasingly difficult for Jews in
Germany in the late 1930s, the fate of both the Vishniac family and Roman's
precious negatives hung in the balance. Vishniac entrusted his negatives to a
friend, Walter Bierer, who promised to try to curry them out of Europe. Within
days of this exchange, Vishniac was arrested in Paris and interned in Camp Du
Ruchard, a detention camp near Gurs.
Meanwhile, Luta struggled to obtain a U.S. visa and an
affidavit of support from an American citizen, which would help to secure
Vishniac's release. Finally, at the end of November 1940, after all of Luta's
hard work, a visa was granted and Vishniac was freed. The family reunited in
Lisbon, where they awaited passage to the United States and safety. They
arrived in America in January 1941.
The fate of Roman's negatives was more complicated.
Walter Bierer carried them with him to Cuba, where he was interned for six months.
When he finally obtained an American visa, and arrived in Miami, the negatives
were confiscated by U.S. Customs officers, but they were later released to
Vishniac in New York.
In New York, Vishniac endeavored to exhibit his images
of impoverished Eastern European Jews on the brink of destruction. In 1943, he
arranged for a small show at the Teachers College of Columbia University and
wrote a letter to Eleanor Roosevelt inviting her to visit the exhibition. At
this time he also worked as a portraitist to support his family, capturing
well-known images of famous Jewish figures, including Marc Chagall and Albert
Einstein. Over the next decades, he taught and lectured widely, and his
microphotographs and science images appeared in leading magazines including LIFE. His son, Prof. Wolf Vishniac died in the Antarctic in 1973, and at the
time of his death in 1990, Vishniac was survived by his former wife Leah
(Luta), his second wife, Edith, and his daughter Mara Vishniac Kohn.
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Mara Vishniac Kohn was born in Weimar Berlin in 1926
to famed photographer Roman Vishniac and Luta Vishniac (née Bagg). Mara was
involved in Zionist Youth groups as a child, although limitations on such
activities were imposed as the Nazi occupation of Germany grew more
restrictive. In 1938, she and her older brother Wolf were sent to stay with
their mother’s family in Riga, Latvia, to wait out the tumultuous time in
Germany, as it had ceased to be safe there. A few months later, Mara was sent
to Sweden to stay at a center established for German refugee children. In the
spring of 1940, Mara, Wolf, and Luta moved to Stockholm while Luta tried
desperately to acquire visas and affidavits from America for her family, which
she was eventually able to do. They traveled to Portugal via Berlin, reunited
with Roman and booked passage on a ship to New York in December 1940.
Mara eventually moved to Santa Barbara, where she
currently lives and is married to physicist and Nobel Laureate Walter Kohn. She
spent her life teaching and working with children and adolescents, particularly
those with learning or educational disabilities. She was involved with the
Mardan Center of Educational Therapy.
Mara has worked diligently to steward her father's
legacy, co-editing Children
of a Vanished World (2000) and writing
the introductory essay, "Of course, Berlin! Remembering Roman
Vishniac" in the recent publication Roman Vishniac's Berlin, as well as contributing to exhibitions related to
both publications. Now retired, Mara is still fully involved in her father's
estate, as well as in the current research and upcoming retrospective of
Vishniac's work at the International Center of Photography in New York.
Roman Vishniac—© Mara Vishniac Kohn.
Courtesy International Center of Photography
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