Lee Friedlander (born
July 14, 1934) is an American photographer and artist. In the 1960s and 70s,
working primarily with 35mm cameras and black and white film, Friedlander
evolved an influential and often imitated visual language of urban "social
landscape," with many of the photographs including fragments of
store-front reflections, structures framed by fences, posters and street-signs.
Friedlander studied photography at the Art Center College of Design located in Pasadena, California. In 1956, he moved to New York City where he photographed jazz musicians for record covers. His early work was influenced by Eugène Atget, Robert Frank, and Walker Evans. In 1960, the Guggenheim Memorial Foundation awarded Friedlander a grant to focus on his art and made subsequent grants in 1962 and 1977.
Some of his most famous photographs appeared in the September 1985 Playboy, black and white nude photographs of Madonna from the late 1970s. A student at the time, he was paid only $25 for her 1979 set, and in 2009, one of the images fetched $37,500 at a Christie's Art House auction.
Working primarily with Leica 35mm cameras and black and white film, Friedlander's style focused on the "social landscape". His art used detached images of urban life, store-front reflections, structures framed by fences, and posters and signs all combining to capture the look of modern life. monovisions
Friedlander studied photography at the Art Center College of Design located in Pasadena, California. In 1956, he moved to New York City where he photographed jazz musicians for record covers. His early work was influenced by Eugène Atget, Robert Frank, and Walker Evans. In 1960, the Guggenheim Memorial Foundation awarded Friedlander a grant to focus on his art and made subsequent grants in 1962 and 1977.
Some of his most famous photographs appeared in the September 1985 Playboy, black and white nude photographs of Madonna from the late 1970s. A student at the time, he was paid only $25 for her 1979 set, and in 2009, one of the images fetched $37,500 at a Christie's Art House auction.
Working primarily with Leica 35mm cameras and black and white film, Friedlander's style focused on the "social landscape". His art used detached images of urban life, store-front reflections, structures framed by fences, and posters and signs all combining to capture the look of modern life. monovisions
All
images © Lee Friedlander
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