Fred
Stein was born on July 3, 1909 in Dresden, Germany. As a teenager he was deeply
interested in politics and became an early anti-Nazi activist. He was a
brilliant student, and went to Leipzig University, full of humanist ideals, to
study law. He obtained a law degree in an impressively short time, but was
denied admission to the German bar by the Nazi government for “racial and
political reasons.” The threat of Fascism grew more and more dangerous and
after the SS began making inquiries about him, Stein fled to Paris in 1933 with
his new wife, Liselotte Salzburg, under the pretext of taking a honeymoon.
In Paris they were in the center of a circle of expatriates, intellectuals and artists. In the midst of upheaval, gathering war, and personal penury, Stein began taking photographs. He was a pioneer of the small, hand-held camera, and with the Leica which he and his wife had purchased as a joint wedding present, he went into the streets to photograph scenes of life in Paris. He saw hope and beauty where most people would only see despair. He also became acquainted with and photographed some of the leading personalities of Europe.
When Germany declared war on France in 1939, Stein was put in an internment camp for enemy aliens near Paris. He managed to escape, and after a hazardous clandestine journey through the countryside, met his wife and baby girl in Marseilles, where they obtained visas through the efforts of the International Rescue Committee. On May 7, 1941, the three boarded the S.S. Winnipeg, one of the last boats to leave France. They carried only the Leica and some negatives.
New York was a vibrant center of culture, and Stein seized the opportunity. He met and photographed writers, artists, scientists, politicians, and philosophers whose work he knew through his extensive reading and study. This enabled him to engage them in conversation during portrait sessions. He continued his fascination with humanity, walking through the streets of New York, documenting life from Fifth Avenue to Harlem. He worked unobtrusively and quickly, valuing the freedom to capture the telling moment that reveals the subject in its own light, not as incidental material for photographic interpretation. He preferred natural or minimal lighting, and avoided elaborate setups as well as dramatic effects. He did not retouch or manipulate the negative. Having a deep commitment to social equality and a concern for his fellow man, he became a member of the Photo League. Though portraits were his main income-generating work and he photographed many people on commission, he generally worked without assignment, shooting people and scenes that interested him. He would then offer his work to publishers and photo editors of magazines, newspapers, and books.
Stein died in 1967 at the age of 58. His portraits and reportage had appeared in newspapers, magazines, and books throughout the world. He had numerous one-man exhibitions, gave frequent lectures, and had several books published. His portrait of Albert Einstein is his most famous picture: an iconic image of a great soul.
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In Paris they were in the center of a circle of expatriates, intellectuals and artists. In the midst of upheaval, gathering war, and personal penury, Stein began taking photographs. He was a pioneer of the small, hand-held camera, and with the Leica which he and his wife had purchased as a joint wedding present, he went into the streets to photograph scenes of life in Paris. He saw hope and beauty where most people would only see despair. He also became acquainted with and photographed some of the leading personalities of Europe.
When Germany declared war on France in 1939, Stein was put in an internment camp for enemy aliens near Paris. He managed to escape, and after a hazardous clandestine journey through the countryside, met his wife and baby girl in Marseilles, where they obtained visas through the efforts of the International Rescue Committee. On May 7, 1941, the three boarded the S.S. Winnipeg, one of the last boats to leave France. They carried only the Leica and some negatives.
New York was a vibrant center of culture, and Stein seized the opportunity. He met and photographed writers, artists, scientists, politicians, and philosophers whose work he knew through his extensive reading and study. This enabled him to engage them in conversation during portrait sessions. He continued his fascination with humanity, walking through the streets of New York, documenting life from Fifth Avenue to Harlem. He worked unobtrusively and quickly, valuing the freedom to capture the telling moment that reveals the subject in its own light, not as incidental material for photographic interpretation. He preferred natural or minimal lighting, and avoided elaborate setups as well as dramatic effects. He did not retouch or manipulate the negative. Having a deep commitment to social equality and a concern for his fellow man, he became a member of the Photo League. Though portraits were his main income-generating work and he photographed many people on commission, he generally worked without assignment, shooting people and scenes that interested him. He would then offer his work to publishers and photo editors of magazines, newspapers, and books.
Stein died in 1967 at the age of 58. His portraits and reportage had appeared in newspapers, magazines, and books throughout the world. He had numerous one-man exhibitions, gave frequent lectures, and had several books published. His portrait of Albert Einstein is his most famous picture: an iconic image of a great soul.
All images © Fred
Stein
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