Visualizzazione post con etichetta pep bonet. Mostra tutti i post
Visualizzazione post con etichetta pep bonet. Mostra tutti i post

giovedì 27 giugno 2013

17 MILAGROSO, SAN LAZARO | PEP BONET

A Religious journey of thousands of poor people from all over Cuba. This journey leads them to Santuario del Rincon some 30kms away from Havana. So why do they take this religious route, they say they have various reasons, making their bodies struggle by walking on knees, crawling and pulling heavy stones. On the way they do collect money which goes to a leprosy hospital in San Lazaro.
San Lazaro (‘el viejo’), also called Babalu Aye, is the most venerated saint in Cuba, an amalgam of a Christian saint and a Yoruba god worshiped for centuries by Afrocubans. Every year on San Lazaro’s Day (17 December), thousands of devotees from all over Cuba make a pilgrimage to the Santuario del Rincon, in Santiago de la Vega. A number of them are sick people and beggars, and they go to the little village 30 kilometers from Havana for different reasons, offering differing expressions of their religious feeling. They make the journey on their knees, crawling, or barefoot, pulling large stones or heavy chains tied to their bodies – for days or weeks on end. Along the way devotees collect money, which they hand over to the Santuario del Rincon on arrival. The money goes to help the San Lazaro Leprosy hospital, which is located in the sanctuary itself.

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All images © Pep Bonet

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lunedì 15 marzo 2010

CON GLI OCCHI DI PEP BONET

Guardare il mondo con gli occhi di Pep Bonet è un’esperienza emozionante, strisciante, deflagrante. Dalla vita sulle strade di

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Cuba a quella sui

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cani guida, i reportage del fotografo spagnolo sperimentano e mettono alla prova, punti di vista, prospettive, sensazioni ed emozioni.

Estremamente interessante la gallery di vite trasfigurate dall’Aids,

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le più recenti in Honduras, li dove l’identità e l’età

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hanno smarrito i confini. Senza confini anche l’oscurità che pervade le miniere di carbone polacche di Blackfields, dentro le gallerie sotterranee, buie,

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ma anche fuori, in un paesaggio che paga il prezzo di quello che custodisce.

Fonte

Sito Pep Bonet

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