lunedì 11 novembre 2013

AART KLEIN | PHOTOGRAPHER

Aart Klein's career as a photographer began in 1930 at the Polygoon press photo agency. He had a desk job at first but was soon taking photographs. In his nine years at Polygoon Klein became one the agency's most important photographers.
During the German occupation he had various jobs as a photographer. In 1943 he was sent to do forced labour in Germany, where he also took photographs. On leave a year later, he went into hiding in the Netherlands. During the last year of the occupation he took photographs for the resistance movement which were sent to England. After the liberation he and Maria Austria, Henk Jonker and Wim Zilver Rupe founded the Particam photographers' collective, specialising in ballet, theatre and cabaret. Particam owed its monopoly position partly to a method developed by Klein for making slow films more sensitive, avoiding the use of flash photography during performances.
In 1956 Klein left Particam and set up on his own. Henceforth he did regular work for the broadsheet Algemeen Handelsblad and produced a large number of photo-books. Most of his subjects were typically Dutch - ports, industry, water and the Delta engineering project. The last of these was documented in Klein's Delta. Stromenland in beweging, published in 1967. The photographs in this book are characteristic of his work, with pronounced black-and-white contrasts and a predominance of lines and planes. People do not feature prominently in Aart Klein's work, unlike that of many photographers of his generation. His conception of landscape photography is entirely personal.
Klein often knew exactly what he was looking for, and would spend hours waiting for the right picture. 'I am infinitely patient. I can lie in the grass for hours on end, waiting to take that one photo. I often know precisely what I want to photograph, the photo is already in my mind, but it needs a little something. The picture is too empty. I wait for that one glint of sunlight, that one bird flying overhead. ...' (Haagse Post, May 5 1990). The frequently recurring bird in his photographs once prompted a former assistant to remark that Klein always had a seagull in his bag when he went out to take pictures (Het Parool, July 29 1989).
After taking his pictures, a major part of the artistic process took place in the darkroom. By introducing strong contrasts while developing and printing his films, Klein gave his photos a pronounced graphic character. As he himself once said: 'My photography is classified as black-and-white, but it's really the other way round: white on black. That's because if you don't do anything you get a black image. Things only happen when you open the shutter: that's when you make a drawing in white.'
In 1986 De Beyerd gallery in Breda staged a Klein retrospective; a box with two portfolios of his work was published to mark the occasion. In 1982 he received the Capi-Lux Alblas Prize; in 1996 the Fund for the Visual Arts, Design and Architecture awarded him the photography oeuvre prize.
Looking at Aart Klein's oeuvre we see more than fifty years of postwar photography pass by. Landscape and industry in the Netherlands are frequently recurring themes. Other themes encountered in his oeuvre are typically Dutch too. Klein's photos of the Delta works, his photos of scaffolding, a barn in Yerseke or the war cemetery at Margraten have become part of our collective memory. nederlandsfotomuseum

… reflets …… reflets …

1966 1966
Aart Klein - Street Design Amsterdam, 1959. Aart Klein - Street Design Amsterdam, 1959.

Aart Klein, Bouw Veerse Gatdam, 1961 Aart Klein, Bouw Veerse Gatdam, 1961

Aart Klein, Ice Skater, 1969 Aart Klein, Ice Skater, 1969

Aart Klein, Leeg zandschip nadert een baggervaartuig nabij Willemstad, bouw Volkerakdam, 1958 Aart Klein, Leeg zandschip nadert een baggervaartuig nabij Willemstad, bouw Volkerakdam, 1958

AART KLEIN, Three urban landscapes, c. 1960 AART KLEIN, Three urban landscapes, c. 1960

Aart Klein-The Gang Zwan/De Zwanegang, Antwerpen, Belgium, 1949. Antwerpen, Belgium, 1949.

DANCE IN BROOKLYN, NEW YORK 1955 DANCE IN BROOKLYN, NEW YORK 1955


Café du Postillon, early 1960s Café du Postillon, early 1960s

'De Verwoeste Stad' van Zadkine, Rotterdam (1962) 'De Verwoeste Stad' van Zadkine, Rotterdam (1962)

image Uitwateringssluizen in het Haringvliet - Aart Klein (foto uit het besproken boek)

Klompen, jassen en laarzen zijn achtergelaten bij de ingang van een arbeidersbarak, 1e werkkamp (bouw Haringvlietdam) te Hellevoetsluis (1957) Klompen, jassen en laarzen zijn achtergelaten bij de ingang van een arbeidersbarak, 1e werkkamp (bouw Haringvlietdam) te Hellevoetsluis (1957)

Zandspuiten, bouw Oosterscheldebrug (Zeelandbrug), Colijnsplaat (1962) Zandspuiten, bouw Oosterscheldebrug (Zeelandbrug), Colijnsplaat (1962)

Sicili-1960 Sicilia - 1960

All images  © Aart Klein

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